Current Work: 2020-2024

KC Parade of Hearts 2024 Entry

Confluence: Many Paths To Find Home

Front: The front represents the merging of land, people, waters and trails that formed and continue to form Kansas City. The diversity of the people in our city of all cultures are represented merging into the rolling hills and lush greenways and fields that are a part of our abundant land, where once the Shawnee, Wyandotte, Osage, Kickapoo, Potawatomi and numerous other tribes were caretakers and the sacredness of earth, water, fire and air where part of their medicine and spiritual practice, just as they are today. The confluence of the Kaw and the Missouri as well as of two cities in two different states that share an invisible dividing line are seen throughout. The power of the river that is essential to our life, crops, and future is predominant. The exterior foliage consists of a combination of wild sage and native plants to the area. The heart in the center, proclaims that these paths of the Santa Fe, Oregon and California trails, as well as others lesser known, are visible across the rollings hills and rivers, has brought us all here at some point, to find and develop a place called, “Home”.

The base: The base consists of the extension of the merged rivers that flow down and off the edge of the piece. There, the land flourishes and crops grow, recreation areas are present and different types of housing that we have now built upon these lands. The two feathers remind us, we are visitors , and that indigenous people are still here. Learning from them is elemental. The emphasis is on diversity and yet, similarity, building a confluence, a merging, a spider web, that unites all of us, respecting cultures with understanding and moving our city into the future. More about the process of creating the heart is in the blog.

Read more about the inspiration, personal connection, family histories of origin and our journey’s to Kansas City reveling in nostalgia at my blog.

Back: Turtle Island

Turtle Island is what many North American tribal communities call North America, the land we live on. The water of the oceans surrounds the turtle. Making up the turtles shell are the 13 tiles of the 13 moons of the year from the ancestrial calendar. Each has a spiral of universal energy that spins in motion like the planets rotation. The interior shell and it’s abstract, impasto(heavy layers of pain) application represents the many paths, trials, successes, and events of life that we experience within our own “cycle” of life, death and rebirth. Every beginning has an ending and every ending a new beginning. On top of the “cycle of life” we have the baby turtle who has it’s own cycle that it inhabits. These cycles represent the greater whole and the personal cycles of life experience and how they are interwoven with everything, the earth, the water, the stars. The red dots represent the spirits of ancestors on the Red Road that are guiding and protecting us. The blue bubbles and circles represent the water spirits of the Sacred Water that is our lifeblood for all things on this earth. The colors around the edge represent the Sacred symbol that holds all the wisdom of the universe, all the teachings, the elements and healings.

Personal Meaning:

This work is in honor of my family who all came from different parts of the world and this country to find their way to Kansas City and make it home. My grandfather, from Germany who left in 1923 when he was 12, on the last boat out before the quota’s began. My father’s family, farmers, who came to the city to find work and a better life. My grandmother, who left her home in southern Missouri to do the same and fell in love with that German man, who would become a fine arts illustrator at Vile Goller Fine Arts from 1930-1970’s. This piece is voice for my grandmother’s hidden journey as well. Her father, Anishinaabe, (Grand River Band Ottawa/Chippewa or also known as Ojibwe) ancestrally and her mother, with an ancestral lineage that included Osage and Eastern Cherokee. She was told to hide her ancestry and assimilate into caucasian culture out of fear of loss of life and never spoke of her ancestry until one day, at her home in Raytown, where she loved to sit on her stoop and listen to the cheers from the stadiums, at 70, she opened up and spoke.

Mixed Media Fibers - Healing Cloths

Mixed Media Painting

Yoni’s: Reclaiming the Body After Sexual Violation

Collage Work

Contemplative Photography

Digital & Graphic Design

Original Sound

Jessica has composed and released original sound for the past 25 years utilizing voice, electro-accoustic composition, spoken word, loops, samples and field recordings. She has recorded and released under the name Magnetic Wind, Wend'‘eya, Jess12Crows and Mesawzee, after her grandmother’s heritage and her Mayan Calendar alignment.

Her discography can be found here, and is available for streaming at all major streaming sites.